Copyright 2023 Kristine Opolais. Necessary cookies are absolutely essential for the website to function properly. The following May saw a thrilling Covent Garden debut inMadama Butterflywith her husband conducting (Opolais and Nelsons had married at the beginning of 2011). Kristine Opolais is the young woman whose conflicting desires for love and luxury lead to her tragic end, and Roberto Alagna plays the man who falls for her in Puccini's early hit. I need to feel the pain to then understand the problem. The 52-year-old's peerless voice still in my ears, I stroll through Naples towards Teatro di San Carlo - the world's oldest continuously active opera house, and where last night he sang . You have to go through the orchestra on the top notes, but you have to find a balance so that you dont push your voice too much up there with your body. At the back of her mind was the memory of her first teacher\s remark to her mother that she had possibilities\ but was nothing special\; but then private training with a vocal coach restored her confidence, the chorus beckoned and she was accepted. Its important because it lets us remember who we are and the things we can and cannot do, soprano Kristine Opolais told OperaWire in a recent interview. She doesnt need poison. Her unapologetic performance style and ability to portray herself through her heroines has her comfortably placed as one of the most sought after international sopranos today. I can relate to every part of her role and I adore her. It was only in the second year I started to believe in myself. The Met's first new production of the Czech favorite since 1993, gives title honors to Latvian soprano Kristine Opolais; seen Saturday, Feb. 25. My singing is part of the complete package. On Friday, April 4, Kristine Opolais will sing Puccini's "Madama Butterfly" at the Metropolitan Opera for the first time. You are a disruptor on the operatic stage, your performances are unapologetic and full of fire. Adriana was happy to see me at home with her, but I was depressed, Opolais noted. One might imagine that an international star like Opolais would be able to find a plethora of opportunities in Eastern Europe or specifically in Latvia to perform, but the soprano noted that it becomes increasingly difficult for her to dedicate herself to her art in her home country. The orchestra and conducting and chorus also was superb. And if there are moments when she herself must make demands, this usually stems from her acute sense of responsibility for her child-I am not trusting to nannies at all\-or, in the theatre, from issues which impede her singing-Hair!\. Opolais now looks back at those early years, asking herself how she did it and at what cost. Of course theres been very difficult moments in my career, but it was because of my past that I didnt fall apart completely. The Latvian soprano spoke with Latinos Post in anticipation of her Met appearance and not only talked about the difficulty of singing the role, but also the challenge that her artistic vocation is for her emotionally. Latvian National opera director Andrejs agars about Kristine Opolais Opolais admits that for better or worse, she has always been one to do things her own way. Her debut in the role (replacing Anja Harteros) came in Jonathan Kent\s Covent Garden staging in June last year, when she and Kaufmann got exceptional reviews. Unfortunately, what Ive learned from this career is that thinking logically will get you nowhere. Tosca is almost defined by her jealousy and she has every right to be. It was the first time she performed the role on stage, despite having a recording released a few years ago. Kristine Opolais "Ms. Opolais seemed to live with it, growing in stature as the evening went on and radiating the kind of aura - one that demands you watch her, and sympathize with her - that defines a star She is a performer with a tremendous future ahead of her. And when teachers asked me, What you will do, Opolais, with your future life? Opolais was so excited about it that she stayed up until five the next morning. It was the beginning of a beautiful friendship. She laughs: I am afraid of mouses very much and there was always mouse or some animal droppings on the bed, aaaagh! I then thought about the good reputation I had at The Met, which I had worked so hard to build. Main navigation Menu. Follow Most importantly, Ive no interest in making beautiful sounds, my voice doesnt drive me in the slightest and its a small part of my expression. Im an actress first and the voice follows. We talked over coffee and some tiny cakes. Opolais noted that she felt this way because of her own personal experience of seeing her daughter living a better life despite the two being apart for some time periods. I know danger and I know what it is to suffer I didnt need to study to be an actress because I went through all the emotions Im presenting on stage. These cookies do not store any personal information. 2,118 talking about this. Her conclusion? The soprano also noted that she is set to reprise the role of Manon Lescaut in upcoming seasons and is also set for her first Adriana Lecouvreur at some point in the near future. On Fryderyk Chopins birthday, heres one of the songs his friend the great Pauline Viardot arranged from his mazurkas. A few years ago, Opolais found her approach being increasingly questioned and a lot of advice was given to her to sit back, restrain her instincts, and focus only on singing., I started to lose voice power, presence, colors, everything, she revealed. When shes done right, shes an extremely sexy and sensitive heroine. And Jenfa I have already said Not again!-her suffering and anguish is too terrible. Kristine Opolais Net Worth. You need two voices. I had to roll around in water in a very thin nightdress, it was a challenge (laughs). kristine.opolais Verified Follow 808 posts 38.5K followers 2,352 following KRISTINE OPOLAIS International Soprano. That response is surely a clue to what has brought Opolais, at 35, to where she is today, in huge demand at some of the world\s biggest houses, feted for her singing of Puccini roles-most recently Manon Lescaut, with Jonas Kaufmann as Des Grieux. There is something to be said for embracing the vulgar in Puccini. She sang intelligently, finding considerable power in her essentially lyrical voice when required.\, The looks speak for themselves, though photos don\t do justice to her porcelain skin or the Baltic-pale eyes. To get a free copy of Opera Magazine, please follow this link and fill in the short form. But for Opolais, Angelica is a far more challenging opera on many fronts. It had to be more internalized. Opera magazine When Im in love Im extremely jealous and when Im not, I couldnt care less. I need to feel the pain to then understand the problem. At first she refused, but quickly rang back. A combination of self-doubt and the financial costs made her leave. But it cant all be pain and hurt, you have to be able to feel love and compassion on stage and for that I have my parents as inspiration. It\s safe to predict that she will throw herself into the part with absolute conviction. At the Academy, frustrated by the apparent need to conform to a type, Opolais already sensed she wasn\t like everyone else. I immediately said no, what crazy person would have said yes? But something clicked during the opening night performance. Opera Magazine Features People Kristne Opolais. She noted a desire to sing all three soprano roles across Il Trittico, adding that she feels most comfortable with Giorgetta from Il Tabarro.. When Im in love Im extremely jealous and when Im not, I couldnt care less. So for a better part of 2018, the soprano spent more time in Latvia to be with Adriana as she commenced her elementary school studies in Riga. From the moment I got into the opera chorus, I was almost living there-I went home just to sleep. My process doesnt allow me to work that way and I have to accept that. In my mind, as strange as it sounds, Im performing to two big eyes looking at me. I had just performed my debut in Madama Butterfly and I got a call the following morning at 7.30am from Peter Gelb asking me to do La Bohme at midday for the HD broadcast. Writing in opera about her performance inThe Queen of Spadesin Riga\s 2005 Opera Festival, Shirley Apthorp wrote: Kristne Opolais was a Lisa with the lithe beauty of a wild animal, fabulous passion and a melting, burnished, gripping sound.\ Significantly, the conductor, also much praised by Apthorp, was Andris Nelsons, the young music director who\d auditioned her, the man who would become her husband. I dont think Ive ever been so frightened in my life walking to the theatre that morning, it was horrific. Opolais experimented a bit more with how she approached the staging, and then she understood that I didnt need to be so active in certain parts. Of course, the sopranos next few productions are as the famed diva who lives and dies for love and art. WHERE DOES THIS ENERGY COME FROM? 15:05 a commence aujourd'hui. This was followed in June of 2011 by her debut at the Royal Opera House, Covent Garden as Cio Cio San in Madama . In this honest and humble interview withFinal Note Magazine, Opolais talks jealousy, risk taking and redefining the idea of an operatic singer. Her Mimi walks slowly, struggles in the effort and grows ever more lethargic as the evening unfolds. For her to live in suitcases and have no friends and no real home, its cruel. The company's new production of Manon Lescaut, which just ended its run, featured Kristine Opolais and Roberto Alagna as the leading couple, an A-list duo that . You have to be a bit more metallic without being too aggressive in the upper notes. Margreet gave me the opportunity to find my natural voice-she actually changed everything, step by step,\ says Opolais. My process is that I imagine that everything is happening to me, Im not Kristine, Im Tosca through my eyes and I feel absolutely everything she has gone through. "It's madness. I just remember I wanted it, and I thought I could do it. Ive never run from danger, Ive always run straight through it, so I picked up the phone to call Peter back and before I could say anything he said I knew youd do it. This decision to unwind allowed the soprano to come to terms with a few aspects of her life. Kristine Opolais is acknowledged as one of the most exciting young sopranos before the public today. I went through a lot of things, but now I understand that I love my art the way that I do it, she enthused. Ive definitely evolved. I know danger and I know what it is to suffer I didnt need to study to be an actress because I went through all the emotions Im presenting on stage. He sees that they might fare better if he could pawn her off on Geronte (capably sung by English bass Brindley Sherratt ), a wealthy geezer who can keep her in luxury. All titles will be broadcast in HD. AfterButterflyOpolais had enjoyed a celebratory, try-to-wind-down supper, eventually getting to bed at 5am. I had just performed my debut inMadama Butterflyand I got a call the following morning at 7.30am from Peter Gelb asking me to doLa Bohmeat midday for the HD broadcast. roh.org.uk/productions/tosca-by-jonathan-kent. Shes the classic representation of the role and she brought so much beauty to that character. Vairkus gadus bija Latvijas Nacionls operas soliste, vlk Minhenes [2] , Berlnes , Milnas , Vnes un citu pilstu operu soliste. During Adrianas early years, the soprano had taken her daughter everywhere she could. I only want to give my best, and I love my profession, but I also need silence. I have built my career stepping in, but the most terrifying was at the Metropolitan Opera. When Rene said that to me it was an incredible moment because she is the best and most definitive Rusalka. And OperaWire came about as a desire to take in as much of it and allow the passionate fan base access to everything this wondrous art form has to offer on a daily basis. The results were widely lauded and Opolais couldnt be happier. One time I showed her a video a YouTube of me performing and she started to cry, Opolais revealed. But then it was like my mind started talking to me, saying Kristine, when have you ever been so pragmatic?. I could sing three different roles in a week and for this I have to give thanks to God that I survived and was able to finish each performance. It was spellbinding. A Butterfly For the Ages. This is not only about to have strong high Cs and sing loud, this is the easiest part, the harder part is how to create the role of Tosca showing that she is not just a stupid jealous woman, but very powerful passionated and charismatic woman!. At the start, Angelica is most challenging because it doesnt really give you time to warm up your voice before you are asked to give it all. , Opolais talks jealousy, risk taking and redefining the idea of an operatic singer. The birth of their daughter Adriana that December marked another joyous milestone. Now, she could not look away. Copyright 2023 Kristine Opolais. Tosca is almost defined by her jealousy and she has every right to be. @ToccataMusicGrp, New month, more archive: revisit our profile of the great Christa Ludwig in March 1973. So to get that approval from Rene meant the world to me. To find out more about Kristin Opolais see: kristineopolais.com, For details about Tosca at the Royal Opera House: Pianist Mitsuko Uchida will play in four concerts in the second installment of her three-season Perspectives series. at the Bayerische Staatsoper. Ironically the nerves comfort me. 16:15 Affaire conclue, tout le monde a quelque chose vendre. One time I showed her a video a YouTube of me performing and she started to cry, Opolais revealed. Today I can only say that Im thankful for my experience as I really know what bad is. Meanwhile, the soprano, who also started taking better care of her physical health, was rethinking her artistic identity and consulting with the people who she trusted most. Her process comes down to immersing herself fully in a character and then just living the experience onstage, with warts and all. Shes even struggled with physical ailments that had been bothering her for years and were now interfering with her ability to perform. You also have the option to opt-out of these cookies. The connection is so strong that when the curtain falls that force disappears and I get a profound sense of loneliness. If people tell me I cant, I try and find the way to do it anyway, she stated. And then the rest, the lower notes, have to come with your body., She noted that she will likely give herself two years to prepare the role, adding that it is her favorite Puccini opera, alongside Tosca.. Well, almost-of course it\s impossible in the high register.\, Opolais is frank in recognizing her chameleon-like ability to take on the voices of others. Kristine Opolais at Carnegie Hall last year. You have to listen to yourself and trust your gut, its all about your intuition. As soon as you are limited and someone tries to put you in a box, it can kill you as an artist.. The soprano noted that this return to her own identity came during the performance of La Bohme at Tanglewood in August 2018 under the baton of her ex-husband Andris Nelsons. If I only focus on singing a specific way, then I will lose out on opportunities of living the character and taking risks in the moment. I never had to ask for anything, my mother always believed in me and my dad was loving and sweet. I immediately said no, what crazy person would have said yes? Im an actress first and the voice follows. 11,266 She gave a renowned performance in Madama Butterfly, only to step in for a matinee of La bohme the next day . Richard Eyre's elegant production, which sets the action in 1940s occupied France, was one of the highlights of the Met's 2015-16 season. By Rian Evans. https://azopera.org/2023-24-season, Opera Philadelphia @OperaPhila has announced its 2023-4 season, and details of its Festival O24, which will launch its 50th anniversary season in 2024-5 with new operas by @missymazzoli and Jennifer Higdon. Shes struggled with figuring out how to balance being a good mother and good artist. All the cast sounded as if singing in different rooms. Privacy & Cookie Policy. All women who are singers and mothers, I admire them tremendously because it is so challenging, almost impossible to do both at the same time really well.. She's currently starring . 2021 Final Note Magazine. Latvian Artist On Regaining Her Artistic Identity, Motherhood, & Puccini. Opolais instantly made up for lost time: she listened and learnt, staying on when the chorus wasn\t needed, absorbing everything. Im not saying that Im a killer (laughs), but I understand her passion and envy. In this honest and humble interview with. In October of 2010, she made a sensational debut at the Bavarian State Opera in Munich in the title role of the new production of Dvorak's Rusalka directed by Martin Kusej. Look, you are one of the most horrible kids, and you have low marks!-not in every subject, I should say!-I said I will not need it and I was right.\. Invited to sing Tosca at the Theater Unter den Linden in 2006, she repeated the role there the following year. "Vocal cords start to tire after two hours. One might imagine that an international star like Opolais would be able to find a plethora of opportunities in Eastern Europe or specifically in Latvia to perform, but the soprano noted that it becomes increasingly difficult for her to dedicate herself to her art in her home country. Perceptions of her voice still vary, but the elements she brings to a performance, translating to both CD and DVD, are undeniable: natural bearing, a vibrant intensity, whether ecstatic or deranged, and the sheer physicality of her characterizations. An audition for the company\s new music director brought her debut as Musetta, fast-tracking her into solo roles and swiftly afterwards into leading roles including Li, Cio-Cio-San, Tosca, Tatyana, Lady Macbeth of Mtsensk, Senta. After that step in at The Met, my manager told me to always trust my gut over anyone else because everyone around me would have told me to say no. I was 27 when I met Margreet, and she thought I was young enough to start again from the beginning. This website uses cookies to improve your experience while you navigate through the website. All women who are singers and mothers, I admire them tremendously because it is so challenging, almost impossible to do both at the same time really well.. Can you pronounce this word better The other side to her is that shes strong and some productions miss the opportunity to bring her complete role to the stage. Her vocal and emotional stamina were put to the test in her firstButterflyat the Met in April 2014. The 52-year-old said he spent two weeks working from nine in the morning until nine in the evening to learn the lead male role which he sings opposite Latvian soprano Kristine Opolais. She had to give her daughter a better life, but she also needed to go back to taking the artistic risks she always had. New York will be lucky to have her." NEW YORK OBSERVER Polina Viljun These cookies will be stored in your browser only with your consent. At home, I am a mother, a daughter. VAN: In Leipzig from May 18 to 21, you're singing a concert program with Andris Nelsons and the Gewandhausorchester. As her hair and makeup team begins to work, Opolais playfully reaches for the bottle of champagne that's just arrived as a gift from the house, joking that she might need it to calm her. Opolais, despite her glamorous demeanor, captures the fragility of a simple girl captivated by Rodolfo, but destined to succumb to "consumption" (as tuberculosis was known then). (Laughs) Yes, I am very jealous! Tell us about your approach to building a character. For this reason, she loves rehearsals because she has the time and space to understand the characters emotions and anticipate the pain and suffering that she will have to endure when she gives herself over fully to interpreting the person in the performance. The other massive factor was that it was a live HD broadcast going out worldwide and it would be there forever. Solo Concert by Kristine Opolais. Sometimes it has worked against me, but most of the time it's my biggest strength.". This kind of intense emotional approach comes with its risks for those that like things a bit more predictable, but it also allows the performer to be open to new possibilities onstage. Stanford Libraries' official online search tool for books, media, journals, databases, government documents and more. She has performed leading roles in such operas as La Rondine, Manon Lescaut, Tosca, La Bohme, and Madama Butterfly, in addition to Suor Angelica.. But she noted that she is too emotional for Suor Angelica, which she finds heavier psychologically than Butterfly and living the part onstage is painful for her to endure (she also noted that the same happened to her with Jenufa and she ultimately decided that she could never give her best in the role and withdrew from a number of planned performances). I had just performed my debut in, and I got a call the following morning at 7.30am from Peter Gelb asking me to do. I can relate to every part of her role and I adore her. The soprano noted that she had been struggling with some physical issues for years but had not paid much attention to it until this point. In 2007 too, Tosca was the role in which Opolais made her Greek National Opera debut. When she gets the news that her son is dead, she should probably die right there. Of course, Butterflys experience last far longer than Angelicas, with the latter opera lasting only 50 minutes. Together in Act 4 they generated musico-dramatic heat.\, Opolais\s instrument may not be perfect, as she would be the first to insist. Such acting talent clearly appeals to directors and, while Opolais chooses her commitments carefully, she can also take risks, and is prepared to take over at short notice. I listened to Renata Tebaldi and was influenced by what she did. Happy browsing! (Laughs) Yes, I am very jealous! I am not afraid. But as Adriana grew, she realized it was selfish. 17:55 Affaire conclue : la vie des objets. As a commanding Latvian blonde, she seems hardly the ideal physical type to portray a diminutive, 15-year-old geisha. I knew I needed to wait a while to be ready for it, she explained. When you give birth, you dont really understand what is happening, she noted, adding that she thought the best was just to have her daughter with her all the time. The start of BSO Music Director Andris Nelsons' tenure with the orchestra features two of the conductor's close colleagues: his wife, the acclaimed Latvian soprano Kristine Opolais, and the . Sometimes it has worked against me, but most of the time its my biggest strength. YOUVE MANAGED TO STEP IN FOR PERFORMANCES THAT VERY FEW SINGERS WOULD HAVE BEEN ABLE TO DO. Then theres the fact that Adriana isnt really a big opera fan. Ironically the nerves comfort me. - OPERA Charm Magazine The new music director Andris Nelsons auditioned her for the debut role of Musetta, quickly followed by solo roles including Li, Cio-Cio-San, Tosca, Tatyana, Lady Macbeth of Mtsensk, and Senta. Right, shes an extremely sexy and sensitive heroine have already said not again! kristine opolais vocal problems suffering and is. Far longer than Angelicas, with warts and all struggles in the upper notes Pauline! 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